MusicAwards - Levels 1 and 2

Level 1 only will be lauching Summer 2024.  Level 2 is anticipated to be available in the new academic year.

Our MusicAwards offer an alternative to graded music exams for learners of all ages, equivalent to grades 1 and 2.

These exclusive awards, available to Musica Kirklees Option A/B/C/D pupils only, have been developed by Musica Kirklees to offer the experience of a performance assessment at an affordable price (£25 for Level 1 for 2024). 

By applying for a MusicAward you would providing your child a learning goal, sense of accomplishment, helping to develop their confidence and celebrate successes at this early stage in their develpoment, which is key to motivating them to progress to a higher level of learning.

Levels 1 and 2 Assessments

MusicAwards or Music Exams?

Music exams are run by exam boards who offer accredited qualifications.  At intermediate to advanced grades, these qualifications carry UCAS points or count towards entry for music courses. 

Pupils gain important experience from taking early grade music exams, but they do cost a premium (£50+ for grade 1 for 2024, not including accompanist or certificate printing fees).  MusicAwards Levels 1 and 2 are not accredited qualifications, but they do give pupils the experience of a grade 1 or 2 exam with an assessment at a more affordable price (£25 for 2024).  You'll also receive a certificate and mark sheet included in this cost.

After Level 2, pupils will be experienced at taking music assessments and will be ready to progress to grade 3+ music exams with the exam board of their choice.

Assessment Content

Assessments are made by submitting a recorded video performance of 4 pieces and some scales or studies (similar to Digital Exams).

The teacher will record the performance in the pupil's lesson and submit it for assessment.

Unlike music exams, with MusicAward assessments pupils can:

  • choose to play any pieces of an appropriate skill level - no need to purchase exam books
  • record each piece individually to ensure that you submit your best performance - ideal for those new to assessments
  • enjoy flexibility - no time limits or closing dates
  • play/sing with their teacher during lessons - no accompanist fees

Application Process

When pupils are ready to take an assessment, the teacher will send you an online where you apply and make payment.

With your teacher's consent, you can apply for MusicAwards at any time (no closing dates).


Other types of exams and assessments

Please speak with your teacher if you'd like to discuss the assessment or exam options for you/your child.

MusicAwards - Foundation Award >

Instrumental or Singing Exams >

Music Theory Exams >

    Marking Criteria

    Each of the 4 pieces will be awarded up to 9 marks (a possible 3 marks for Fluency and Accuracy, 3 for Technical Facility and 3 for Communication and Interpretation per piece).

    An additional 3 marks are available for scales/arpeggios/aural work.

    Total 10 - 16 marks = Pass    Total 17 - 23 = Merit    Total 24 - 30 = Distinction

    Fluency and Accuracy

    Fluency

    When someone is fluent in a language, they can read aloud words and sentences in a precise and flowing way, with minimal hesitation and using the right intonation.  The same applies to musical fluency except we have notes instead of words and musical phrases instead of sentences.  Our musical fluency improves over time with practice as we become familiar with the piece or scales we are performing.

    Accuracy

    This is another area of musicianship that improves with practice.  A composer will write down the exact notes and rhythms for us to play/sing. The Assessor will compare the recorded performance with the written music to see if the performer uses the correct rhythms and pitch.

    Technical Facility

    There are specific techniques that all musicians must use to get the most from their instrument or singing.  

    All these elements come together to produce the optimum sound (known as 'tonal quality').  The Assessor will be looking for:

    Articulation and Phrasing (all)

    Playing/singing each note and considering it within the context of a longer 'phrase' of music.  In singing, this also includes correct diction.

    Bowing (strings)

    Up and down strokes played at the correct time, and accurate placement to avoid catching the wrong strings.

    Breath Control / Embouchure (woodwind, brass and singing)

    Taking a breath at the appropriate point, and channelling that breath in the right way.  Blowing the instrument with a secure technique to create a pleasing sound.

    Finger or Slide Placement (woodwind, trombone, strings, guitar, ukulele)

    Placing the finger in the correct place (or slide position on trombones) for accurate tuning

    Fingering (woodwind, strings, guitars, ukuele, keyboard, piano)

    Placing the correct finger or thumb on a key, strumming accurately or pressing and plucking a string with the appropriate digit

    Stick Technique (percussion)

    The sticks should be held correctly and the instrument struck in the right place to produce the best quality sound

    Communication and Interpretation

    Once you have learnt the notes and techniques, you can take your musicality to the next level with how you communicate with your performance:

    Clarity

    Every note is there for a reason - try your best to sing/play them all as clearly as you can

    Convey Meaning

    Your piece/song may be meant to represent an emotion, idea or style of music.  Does the way you are performing the piece convey that meaning?

    Dynamics

    As well as which notes to play, the written music will use words or symbols to tell you how those notes should be performed.  How loud/soft should they be?  Should they be short and spikey or smooth and flowing? Follow these carefully to enhance your performance.

    Tempo

    Each piece should be played at a specific speed.  This is the 'Tempo'.  Once you have learnt your piece, try to keep your tempo the same throughout; it is tempting to speed up at the end, or slow down for difficult parts without realising it!